Artist Statement
My work is a practice in the imperfection of knowing, feeling, remembering, and understanding. It examines marine systems in constant motion, the situated knowledge-making that makes those systems legible, and the environmental values that make them meaningful.
This practice of mine is a call to deepen curiosity. I also use this method to ask questions about complex concepts in a convoluted world.
The images aren’t always the correct shape, size, or color. They are rushed, messy even. But that is what the world feels like and what this work is meant to express. It isn’t all good, but it isn’t all bad either. It isn’t refined or clever. But not everything can be.
My work doesn't represent how oceans are seen in real-time—but how they are remembered. Expertly informed but humanly misconstrued.
Incorrect and not to scale.
swimming in sea butterflies
Pteam Pteropod explores the kinds of questions people ask about the ocean.
R/V Atlantic Explorer 2016
Photography of scientific field work with OSU's microbiology department.
SPARK: Art & Science at OSU
Mixed media visual art from OSU's microbiology department.
Slow Violence
Oil on paper. Oil on water. Work from time in New Orleans.
See Floor Studies
Oil on canvas. Research on computer vision and fisheries science.
Ghosts of Once and Future Oceans
Photography and mixed media visual art inspired by growing up on the Gulf Coast.